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- <text id=94TT0131>
- <title>
- Feb. 07, 1994: The Arts & Media:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Feb. 07, 1994 Lock 'Em Up And Throw Away The Key
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 71
- Books
- An Old Bear, Laughing
- </hdr>
- <body>
- <p>Once again, Louise Erdrich examines the cross-cultural muddle
- of the Indian reservation
- </p>
- <p>By John Skow
- </p>
- <p> A reader who has not followed the doings of Louise Erdrich's
- bewitched North Dakota Chippewas since her first novel, Love
- Medicine (missing The Beet Queen and Tracks for no good reason),
- finds in the fourth telling of the story that not much has changed.
- That's good; most of the same powerful characters are still
- around causing trouble, some as hovering spirits, some as living
- beings. A few years have passed, and in The Bingo Palace (HarperCollins;
- 274 pages; $23) we are close to present time, but reservation
- life is still a shabby, cross-cultural muddle. And Erdrich,
- herself part Chippewa, part German-descended white American,
- is still a wry, intuitive, blood-related observer and a gifted
- writer.
- </p>
- <p> The trouble, if it is a trouble, is simply that of any fourth
- installment. The first wild surge of narrative invention has
- steadied to a reliable chug. The author's moves are clever and
- effective, but they are known. Her characters have told the
- darkest of their secrets. Erdrich's instinct, as the momentum
- of an anecdote is about to tail off, is to save matters with
- literary magic. This works, often brilliantly, but it works
- again and again, which may be a few astonishments too many.
- </p>
- <p> Love Medicine was loose and episodic, but the structure of The
- Bingo Palace seems all but aimless. So does real life most of
- the time, but unless Erdrich is herding her large cast toward
- a fifth novel that will pull things together, the reader is
- entitled to a bit of head scratching. Over most of its course,
- the new book seems to focus on a love affair that young Lipsha
- Morrissey never quite convinces beautiful Shawnee Ray that she
- should dive into with him. (His failure may have something to
- do with an unsuccessful vision quest during which he is sprayed
- by a talking skunk.) But Erdrich loses interest in Lipsha's
- love troubles, and we hear nothing more. Similarly, a chapter
- in which Lyman Lamartine, Lipsha's rival, goes off to Las Vegas
- and loses a big wad of the tribe's money leads nowhere at all.
- </p>
- <p> Or are these seeming plot discontinuities simply a literal-minded,
- white way of misreading an Indian story? Maybe, maybe not. At
- any rate, Erdrich's central theme comes through clearly: reservation
- life does little to preserve the strengths of Native American
- culture and is a cruel hothouse for its weaknesses. If the present
- novel needs a map and compass, Erdrich losing her way is preferable
- to most other writers steering a straight course. Here is her
- description of Shawnee Ray's busybody mother Zelda: "She should
- have had more children or at least a small nation to control.
- Instead, forced narrow, her talents run to getting people to
- do things they don't want to do for other people they don't
- like." Lipsha, as the novel begins, adrift in the white world:
- "He was caught in a foreign skin, drowned in drugs and sugar
- and money, baked hard in a concrete pie."
- </p>
- <p> And here is the ghost of old Fleur Pillager, forced from her
- land by the building of a gambling casino, the bingo palace
- of the title: "She doesn't tap our panes of glass or leave her
- claw marks on eaves and doors. She only coughs, low, to make
- her presence known. You have heard the bear laugh--that is
- the chuffing noise we hear and it is unmistakable. Yet no matter
- how we strain to decipher the sound it never quite makes sense,
- never relieves our certainty or our suspicion that there is
- more to be told." The author's magic, one more time.
- </p>
-
- </body>
- </article>
- </text>
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